Made to be read twice.

Brushed silver that changes as the head turns.

A pearl earring worn, in a band of light

Made to beread twice.

Each piece begins with a close reading of human experience. Calm at first. Then a second reading.

Explore the pieces
  • Metal925 sterling silver
  • Pearlfreshwater, off-round by nature
  • Resinpoured by hand, to order
  • Stonesgripped, never glued
  • Returnswithin 14 days of delivery
  • StudioVancouver, by hand
  • Deliveryacross Canada

Best sellers.

All pieces

Two collections

Each begins from one observation. The pieces share a way of making, not a repeated motif.

Pearl collection pieces in brushed silver, in soft window light Pearl Freshwater pearls held by a line of silver — never closed around, always given room. Serene Flow pendant with hand-poured resin, in window light Serene Flow A calm surface with a current underneath. Poured to order in your colour.

One quiet language, four ways.

Each family begins from one observation and ends at the bench. Move across a name to see it worn.

Earrings Drops and studs that change as the head turns. Necklaces A single line, settled on paper before it was cut. Rings Volume held in the hand — noticed, then forgotten. Bracelets Struck, poured and finished to sit quietly at the wrist.

Choose the colour of your calm.

Poured, not cast — pigment mixed by hand into clear resin, set in silver, sanded to a soft matte. Yours is poured to order.

Golden Sunrise

Warm against skin; brightest at midday.

$270Poured to order · leaves in 2–3 weeksThe collection
Serene Flow pendant, top-down, hand-poured resin in a silver setting

The pieces, as they are actually worn.

Photographed on people, in ordinary light. The size you see is the size you wear.

Soldering a sterling silver join at the bench

“Our work is inspired by nature, movement, organic forms and personal expression.”

Sara Mahmoodi, founder and designer
A blank card passed across a tray of finished rings on a sunlit sill A pencil drawing of a piece on tracing paper Saw-piercing sheet silver along a pencil line at the bench pin A box opened to a card written by hand

Begin with what you noticed.

One piece, made for one person — drawn from what you bring us, made by hand at the bench.

  1. The conversation
  2. The drawing
  3. The making
  4. The handing over
Begin a commission First reply within three working days

We are drawn to what reveals itself slowly. To forms that hold more than one reading, to the trace of time on a surface, and to the moment an object changes when it touches the body.

A detail asks a question.

The Ocean Flow ring, read point by point. Select a mark to see the decision behind it.

A second reading.

Move across the necklace to see the drawing it began as. The line was settled on paper before it was cut from silver.

Whisper of Flow Necklace in sterling silver on linen, in window light The original pencil drawing of the same necklace on tracing paper
Whisper of Flow Necklace — $420

From trace to touch.

Water draws back and leaves a line that stays.

Windswept began at low tide — not with the wave, but with the trace it left after it had gone.

A force that has passed still shapes what remains.

The brief, written before any drawing: a line that looks as if something has just moved through it.

Thicker where the push was strongest. Thinner where it let go.

Uneven pressure along one silver curve. The pearl sits exactly where the line slows down.

On the body, the push is still there.

The line moves with the neck and turns with the light. You do not need the story to wear it — it is there if you look.

Low tide, with the line water leaves on sand
A pencil drawing on tracing paper at the bench
Windswept Pearl Earrings in raking window light
The pendant worn at the shore

From trace to touch.

Low tide, with the line water leaves on sand

Water draws back and leaves a line that stays.

Windswept began at low tide — not with the wave, but with the trace it left after it had gone.

A pencil drawing on tracing paper at the bench

A force that has passed still shapes what remains.

The brief, written before any drawing: a line that looks as if something has just moved through it.

Windswept Pearl Earrings in raking window light

Thicker where the push was strongest. Thinner where it let go.

Uneven pressure along one silver curve. The pearl sits exactly where the line slows down.

The pendant worn at the shore

On the body, the push is still there.

The line moves with the neck and turns with the light. You do not need the story to wear it — it is there if you look.

Windswept Pearl Pendant worn at the shore
An earring worn, in a patch of window light

Worn often, a piece takes on the way you move.

The body completes the object.

Scale, weight and contact are designed, not checked at the end. Every piece is worn for a week before it is released.

“Send us the circumference of your finger. We will confirm the closest size and explain how the form should sit.”

Ask the studio

It opens in layers.

Unbleached card, a sliding tray, a linen pouch, a card written by hand. The reveal is the same one the piece makes — slower than you expect.

A sliding tray box opened to show a ring in daylight
A sliding tray, unbleached card.
A ring beside a pressed wax seal
Sealed by hand at the studio.
A handwritten card inside the box lid
A note, written for you.

Notes from the bench

The journal
Can You Sleep in Earrings? What to Consider

Can You Sleep in Earrings? What to Consider

Can you sleep in earrings? Learn what to consider about comfort, pressure, snagging, delicate...
Freshwater Pearls vs. Cultured Pearls: What’s the Difference?

Freshwater Pearls vs. Cultured Pearls: What’s the Difference?

Learn why freshwater pearls are usually cultured pearls, how cultured pearls differ from imitations,...
Can You Shower with Sterling Silver Jewelry?

Can You Shower with Sterling Silver Jewelry?

Can you shower with sterling silver jewelry? Learn how water, soap, chlorine and mixed...